DREAMBOATS

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Two remarkably talented locals, Edwin Coad and Paddy Broberg, have created a musical written especially for FAMDA to perform. It’s called Dreamboats.

Edwin has written the libretto and Paddy has composed the music for this delightful musical fantasy designed to allow opportunities for people of all ages to be involved on stage and so that it will also have audience appeal across the age groups.

Experienced director, Beth Millar, is directing the production in her first involvement with FAMDA.

If you can sing, dance, act, juggle – or would like to try – there could be a role for you in Dreamboats.

In Dreamboats beds turn into boats, toys come to life and actors get to play at being various characters such as a fairy, a pirate, a bear and a clown.

There are 4 major roles for upper primary children, 3 roles for bigger kids and several roles for adults.

Also needed on stage are 9 puppeteers and a corps de ballet of up to 20.

FIND OUT ALL ABOUT DREAMBOATS

Information afternoon 2pm Sunday 27 May @ Foster Arts Centre

AUDITIONS

Monday 28 May & Tuesday 29 May

To book your audition time – contact Edwin Coad 5689 1305 or pandecoad@skymesh.com.au

PERFORMANCE SEASON

28 September  – 6 October

Rehearsals starting on Sunday 3 June

DREAMBOATS – THE STORY
Did you have a favourite toy?  Did you have a favourite toy that sat on your bed, shared your pillow, shared your secrets and was always an understanding friend?  Cathy Jake Vanessa and Oliver are students at a local school and their lives are being made miserable by Benny Fester and his gang. They confide in their bedside toys (who are not quite what they seem). The toys take the children, in their beds, across the sea to remarkable places that they could only dream about.  In their journey they find that toys can have problems too, but by sticking together and with a bit of magic, things will be better in the morning.

DREAMBOATS -  CAST NEEDED
OLIVER
~ 8 or 9, matter-of-fact, a little old-fashioned, serious, a reader, wears glasses
VANESSA
~ 8 or 9, feminine, dreamy, interested in fantasy and magic
JAKE ~ 9 – 11, sporty, gregarious, computer games, popular, brave
CATHY ~ 9 – 11, perky, a bit of a tomboy, a leader, strong sense of fair play
EDWARD BEAR ~ Oliver’s toy, proper, dependable, old-fashioned, ordered
MARY FAIRY
~ Vanessa’s toy, determined, scatty, but with insight
PIRATE PETE ~ Jake’s toy, all bark and no bite, has his own fantasy life
BANJO THE CLOWN ~ Cathy’s toy, earnest, tries hard, androgynous, sometimes scary
BENNY FESTER ~ bully, clever, thoughtful, manipulative, bossy, hides his vulnerability
BREWSTER BOYLE (BRUISER)
~ bully, tough, not very bright, a follower
CLOTHILDE CARBUNKLE (CLOTTIE) ~ street smart, bitchy, admires Benny,
…………………. wants his approval, enjoys being a bully
LADDERMAN ~ zany, vague, happy, helpful, wise, very tall (stiltwalker)
FAIRY QUEEN
~ beautiful, scatty, bit of a bimbo
QUEEN BEEATRICE ~ imperious, sharp, but motherly
PIRATE CHIEF ~ appears to be fierce but not really, gruff
RINGMASTER ~ hearty, kind, helpful
OFFSTAGE VOICES (4) ~ motherly and fatherly
PUPPETEERS (6 or 9)
~ Night Mares and Circus Ponies

Chorus/Dance troupe  WATER SPRITES ~ represent the water – ballet
……………………..……… STEP CHILDREN
~ small stilts – rap
…………………….….…… FAIRIES ~ pretty, bright, light, airy – ballet
…………………….….…… BEES ~ workers and drones – tappers
…………………….….…… PIRATES ~ also have dialogue – jazz
……………………..……… CIRCUS PERFORMERS ~ march, circus tricks and acrobatics

  • The four child characters can be performed by similar age child actors, or older actors playing younger
  • Benny, Brewster and Clothilde, the three bullies, should be performed by teen-aged actors
  • Mary Fairy played by a girl / adult actor
  • Banjo by either male or female actor
  • Pirate Pete –  a male actor
  • Edward Bear – a male actor
  • The Fairy Queen, Queen Beeatrice, adult female actors
  • Ringmaster, Pirate Chief and Ladderman, adult male actors
  • All characters need to be able to sing
  • The puppet operators need to be agile
  • The members of the chorus/dance troupe need to be dancers and be able to sing
  • The circus performers will need some circus skills

Download an audition sheet here.

FAMDA would love to hear from people interested in set design or keen to be involved in puppet making.

Dreamboats also needs the help of  people interested in scenery construction – carpentry, steel work, welding, painting; costume construction – pattern making, sewing; props – construction, sourcing; stage crew; make up, hairdressing and wigs.
Later we will need volunteers to work front of house so there are many opportunities to assist in FAMDA activities.
Volunteer your services if you would like to be involved in this exciting project.

If any of this interests you come along to the info arvo, 2pm Sunday 27 May at Foster hall, and find out how you can sail a dreamboat.

Next production – update

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FAMDA’s Next Show

to be staged 20 – 28 July 2012

FAMDA has abandoned plans to present our Inside Stories double bill featuring The Dock Brief  by John Mortimer, creator of Rumpole of the Bailey, and a comedy / drama called A Phoenix Too Frequent by the British writer, Christopher Fry, best known for his play, The Lady’s Not for Burning.

Watch out for details of an intriguing  play to be staged 20 – 28 July using the dates already scheduled for Inside Stories.

FAMDA is also hoping to present at least one one-act play for the Foster One Act Play Festival  to be held on 11 & 12 August (and possibly touring to other OAP Fests).
Anyone who would like to be involved on stage in such a project is invited to contact FAMDA president, Edwin Coad, on 5689 1305 or  pandecoad [@] skymesh.net.au so that plays can be chosen to suit the available talent.

Foster One Act Play Fest 2012

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Saturday 11 &
Sunday 12 August 2012

Foster War Memorial Arts Centre

GREAT ENTERTAINMENT

A one act play festival gives the chance for a friendly theatrical competition. You can see new plays, support your friends, meet new people and be thoroughly entertained.

It’s an exciting prospect for  companies from all over Victoria to come together with the opportunity to showcase their talents to an audience not normally available to them and it’s also a marvellous chance for local people to see some wonderful theatrical talent close to home and without spending a fortune.

Despite the competitive element, the Foster Festival is always a very friendly and social occasion with audience members and theatre companies being given the choice of concert style seating or sitting at tables with their own drinks and nibbles.

It’s all on the menu as FAMDA hosts its twelfth annual One Act Play Festival in South Gippsland at the Foster War Memorial Arts Centre on the weekend of Saturday & Sunday, 11 & 12 August.

In 2012 the adjudicator is Max Rackham and expectations are that the festival will be bigger and better than ever with more entries than ever before.

Thanks to sponsorship from our local Community Bank branch of Bendigo Bank, there is on offer $2500 in prize money plus trophies  including  a $1000 prize award for the most outstanding play.

Entries are now being taken for this year’s festival. Download your entry form here.

Entry Form One Act Plays 2012

2012 Festival Information

 Entries close Tuesday 17 July 2012

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GREAT PRIZES

Most Outstanding Production – $1000 plus a trophy
Runner-up Most Outstanding Production – $200
Most Outstanding Director – $250 plus a trophy
Most Outstanding Male Actor – $250 plus a trophy
Most Outstanding Female Actor – $250 plus a trophy
Most Outstanding  Support Actor – $100 plus a trophy
Design Award – $100 plus a trophy
Adjudicator’s Award – $100 plus a trophy
Most Outstanding Youth Production* – $100 plus a trophy
Most Outstanding Youth Performance* – $100 plus a trophy
* Subject to there being sufficient entries. Note increased prize amount from last year.

We are also considering introducing a playwright’s award.

In addition
The Victorian Drama League provides a $50 Encouragement Award

 

Victorian One Act Play Festival Circuit 2012

The Mount Players 9th One Act Play Festival
Saturday 21 & Sunday 22 July
The Mountview Theatre, 56 Smith Street, Macedon

Dandenong Ranges One Act Play Festival
Friday 20 – Sunday 22 July
Hosted by Gemco Players Community Theatre
The Gem Theatre, 19 Kilvington Drive, Emerald

Ararat One Act Play Festival
Saturday 4 & Sunday 5 August
Ararat Performing Arts Centre, Barkly St, Ararat

Foster 12th One Act Play Festival
Saturday 11 & Sunday 12 August
Hosted by FAMDA (Foster Amateur Music & Drama Association
Foster War Memorial Arts Centre, Main Street, Foster

Her Majesty’s Theatre – Royal South Street One Act Play Festival
Saturday 18 & Sunday 19 August
Hosted by Royal South Street Society
Her Majesty’s Theatre, 17 Lydiad Street, Ballarat

Anglesea 23rd One Act Play Festival
Saturday 25 & Sunday 26 August
Anglesea Hall, McMillan Street, Anglesea

Kyneton One Act Play Festival
Saturday 1 & Sunday 2 September
Bluestone Theatre, Hutton Street, Kyneton

Monash One Act Play Festival
Friday 21 – Sunday 23 September
Hosted by Peridot Theatre
Peridot Theatre, Mt Waverley Secondary College, Lechte Rd.,  Mt Waverley

For further details of one act play festivals, entry closing dates etc. visit www.theatrecraft.org.au

 

 

An engaging and entertaining production of a cute, fun show.

Fortunately this was the first time I had seen the piece and could not, therefore, bring any preconceptions from previous viewings. For those who haven’t seen ‘Spelling Bee’ it concerns a group of quirky adolescents who are the finalists in one of those, typically American, spelling competitions. Three adults oversee the competition and members of the audience are brought on stage to compete. Before looking further into this specific production I feel it necessary to look at the genesis of the show. It started life as an improvisational play (C-R-E-P-U-S-C-U-L-E) created by a New-York based improvisational comedy troupe. The resulting piece was ‘work-shopped’ and then developed, through the use of a script doctor and a composer-lyricist, into a fully scripted musical. As with all such developments it is difficult to pin-point who did what and when, and this can lead to a hotchpotch end product. Fortunately, in the main, Bee has retained what must have been the original endearing charm and punch. I cannot say that I find the music very memorable (much recitative, little aria). It is very derivative, doesn’t progress the plot and much of it seems to be ‘tacked on’. The only number with real impact is ‘The I Love You Song’. Whilst the whole cast were vocally strong, in this size of a venue amplification should not be necessary. Often the volume was too high and, as a result, some of the voices became shrill. Of course this isn’t the first time that a musical has been developed in this way – probably the most famous example is ‘Chorus Line’. As in Chorus Line this piece has little development, being rather a series of cameos linked together by the original premise. Again as in ‘Chorus Line’ each character has ‘baggage’ to carry and the audience whilst appreciating the humour and expertise of each character is also being involved in their individual problems. The trick is to make sure that these characters are real and not stereotypes. Comedy springs from realism, believability. If it is not real it is superficial and therefore less effective gaining less sympathy. Here we have a very diverse group of characters; the danger is to play their superficial quirks and turn them into caricatures – grotesques – which can lead to overacting. The audience continues to laugh but is less involved. As I say, not having seen the piece before, one must make assumptions about what to attribute to the original script/score and what to this production. What are inherent in the script and what is down to this production. In his programme note the director, Emil Freund, indicates that he adopted an Ensemble approach; as this was how the piece was originally developed this would seem a very logical starting point. However one of the dangers of this approach is that the end product can become so diverse that there isn’t a ‘through line’ and a consistent style. (One of the reasons why the original improvisatory play needed a script-doctor and a composer). Sooner or later the Director must make final decision and, if necessary, weald a heavy hand. In an otherwise splendid production I thought that there were times when this heavy hand had been needed. This applied to some performances and some of the staging. During solo numbers the focal point must remain on the soloist without subsidiary characters distracting, and upstaging, with ‘demonstration’ acting. Fortunately both the direction and choreography were seamless (nothing worse than seeing where either starts and finishes). The energy from all concerned was palpable and infectious whilst avoiding being too slick. The advantage, for this type of production, of being in an intimate venue in a smallish community is that one can play the ‘Parochial’ card both in topical references and in the selection of audience participants. This was particularly well handled by the more mature and experienced members of the cast. However this very parochial nature can tend to encourage approbation for the performer rather than for their performance. Great to see, and hear, both Maxine Montgomery (Peretti) and Andrew Seeary (Panch) back on this stage. Matt Faravoni (Mitch) brought both a powerful voice and warmth to his characters. I thought that the three younger ladies, Maddie Wooster, Allie Sutherland and Vanessa Sheehan (also choreographer) were particularly effective. Gareth Prosser has probably the most bizarre of the characters, Coneybear, and only just managed to avoid turning him into a ‘Stand-up’ routine. On the other hand Gareth Grainger (Barfee) managed to restrain his exuberance and deliver a very touching character. Nathaniel Taylor led a tight band and it was great to see so many young local enthusiasts in the talented Production team. Over the last few years BLOC Music Theatre have started to branch out with this sort of ‘Boutique’ production which not only gives their performers a wider variety of opportunities but also the same for their audiences – I hope that it continues. I really enjoyed my night out at The 25th Annual Putnam County Spelling Bee, a honey of a show and a marvellous production.

Prom Coast Film Society

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OCTOB

Prom Coast Film Society’s screenings
8:00pm on the first Friday of each month
Fish Creek Hall

NEXT SCREENING

Friday 1st June – Winter Blues Double
6pm A Fish Called Wanda – 1988 – USA/UK – Comedy – M
8pm Young Frankenstein – 1974 – US – Comedy – PG

 

MAY SCREENING

THE HUNTER – 8pm Friday 4 May

The Hunter is a 2011 Australian film based on Julia Leigh’s 1999 novel.
Filmed entirely on location in Tasmania, it was directed by Daniel Nettheim and produced by Vincent Sheehan  with Willem Dafoe, Sam Neill and Frances O’Connor as its stars.
The story involves Martin, a mercenary, sent from Europe by a mysterious biotech company to the Tasmanian wilderness on a hunt for the last Tasmanian tiger.
Once there, he’s supposed to hunt the rare tiger but things get complicated when another hunter appears on the scene.
To prepare for the role, Dafoe worked with a bush survival expert who taught him practical tips like how to de-scent himself so animals couldn’t smell him in the bush.
The Hunter had its world premiere at the Toronto International Film Festival in September last year and opened to the Australian public in cinemas on 29 September 2011.

The Hunter

Rated M

Review by David Stratton

Martin David, WILLEM DAFOE, a modern-day soldier of fortune, rendezvous in Paris with a mysterious man, Jacek Koman, who hires him to travel to Tasmania and attempt to locate a Tasmanian Tiger – although the animal is believed to be extinct, there are rumours that one has been sighted – and its DNA, whether the animal is dead or alive, represents a fortune to vested interests. 

In a remote part of the island state, Martin moves into a room in the home of Lucy Armstrong, FRANCES O’CONNOR, mother of two small children; Lucy is still grieving over the fact that her husband, Jarrah, went missing some time ago. While Martin sets about methodically setting traps for the tiger, Lucy and her children are watched over in a possessive way by their neighbour, Jack Mendy, SAM NEILL.

Based on a novel by Julia Leigh, director of the recent film SLEEPING BEAUTY, THE HUNTER is a compelling and beautifully made film from director Daniel Nettheim. You could describe this as an environmentalthriller, but don’t expect a fast-moving one; Nettheim rightly takes his time to establish the methods and skills of Martin as he methodically sets about laying traps for an elusive, possibly non-existent, Tasmanian Tiger. 

It’s a pity, in a way, that an Australian actor couldn’t have been cast in this role, but Willem Dafoe is, as always, very effective, and Frances O’Connor and Sam Neill are excellent in support. Young Morgana Davies proves that her stellar performance in THE TREE was no flash in the pan – she’s a very talented child star as is Finn Woodluck who plays her uncommunicative brother. But the real star of this quietly gripping film is Tasmania itself, an extraordinary wilderness landscape gloriously photographed for the wide screen by Robert Humphreys.

SEASON 2012

Friday 3rd February
Slumdog Millionaire – 2008 – India – Crime/Drama – MA

Friday 2nd March
Oranges & Sunshine – 2011 – Australia – Drama – M

Friday 30th March
Bobby – 2007 – USA – Drama – M

Friday 4th May
The Hunter – 2011 – Australia – Drama – M

Friday 1st June – Winter Blues Double
6pm A Fish Called Wanda – 1988 – USA/UK – Comedy – M
8pm Young Frankenstein – 1974 – US – Comedy – PG

Friday 6th July – NAIDOC Week
The Tall Man – 2011 – Australia – Indigenous Documentary – M

Friday 3rd August
Another Year – 2011 – UK – Drama – M

Friday 7th September
Barney’s Version – 2010 – USA – Drama – M

Friday 5th October
Norwegian Wood – 2011 – Japan – Drama/Romance – MA

Friday 2nd November
Lantana – 2001 – Australia – Drama – M

Friday 7th December
Tabloid – 2011 – USA – Documentary – M

Season Flyer 2012

The Prom Coast Film society operates under the rules of the Victorian Film Society and attendees at films must be subscribers.
The Film Society will have 3 (consecutive) month or full season subscriptions available early in 2012.
Annual subscription $75, quarterly subscription $28
Screenings at 8:00pm on the first Friday of each month at Fish Creek Hall.

Single entry is not available due to copyright restrictions on film societies.
Members may request a guest pass if they would like to bring along a friend.

To add to the social atmosphere Windy Ridge Winery sells local wine and fruit juice by the glass at each screening.
Supper is served at the conclusion of the film (a donation applies).

For inquiries email famda@ dcsi.net.au or phone Catherine McGlead on 0407 543 371.


 PCFS INAUGURAL SEASON 2011

Friday 4 March
Animal Kingdom – 2010 – Australia – Crime /Drama – MA

Friday 1st April
Boy – 2010 – New Zealand – Drama/Comedy – M

Friday 6th May
South Solitary – 2010 – Australia – Drama – M

Friday 3rd June
The Kids Are All Right – 2010 – US – Comedy Drama – MA

Friday 1st July
The Tracker – 2003 – Australia – Indigenous Drama – M
Screening during NAIDOC Week

Friday 5th August
Rosemary’s Baby – 1968 – US – Drama – M

Friday 2nd September
Food Inc. – 2010 – US – Documentary – PG

Friday 7th October
BONUS SCREENING – 6:00pm ~ Australian Rules
- 2002 – Australia – Drama – M
8:00pm  A Clockwork Orange – 1971 – UK – Drama – R

Friday 4th November
The Father of My Children – 2010 – France – Comedy/Subtitled – M

Friday 2nd December
The King’s Speech - 2010 – UK - Drama/History – M

Films are shown on the first Friday of each month in the Fish Creek Hall

Season Flyer 2011

 

FAMDA’s Newest Offspring

Did you know that the letters of F A M D A originally stood for Film, Art, Music & Drama Association?
FAMDA is returning to its roots with the decision to form the Prom Coast Film Society.

The aim of the project is to provide access to high quality non-mainstream films in a community setting plus the opportunity for social discussion and interaction.

FAMDA has a strong reputation for providing Foster audiences with entertaining and often quirky plays and the Prom Coast Film Society aims to keep up this tradition using a new medium.

It is proposed that the Prom Coast Film Society would become a financially self supporting sub-group of the main FAMDA body similar to the Prom Coast Singers.

As mandated by the Australian Council of Film Societies (ACOFS) members would need to have a separate subscription to the Prom Coast Film Society.

The plan is to show “art house” films in the Fish Creek Memorial Hall on the  First Friday of each month, thus catering for both for both locals and those who visit at weekends.

To launch the project the Prom Coast Film Society showed “Animal Kingdom” on Friday 4 March 2011.